“羽衣伝説の松 (Pine Tree of Hagoromo Legend)”,

The Pine Tree of Hagoromo: Where Heaven Met Earth

Japan is a land where the line between the physical world and the spiritual realm is often blurred by nature. Nowhere is this more evident than at Miho no Matsubara in Shizuoka City. Here, framed by the majestic, snow-capped cone of Mount Fuji and the crashing waves of the Pacific, stands a singular tree with a story that has captivated poets, artists, and travelers for centuries: the Pine Tree of Hagoromo (Hagoromo no Matsu).

While the grove itself contains tens of thousands of pine trees, this specific black pine is the focal point of one of Japan’s most beloved folktales—the legend of the Swan Maiden, or the Celestial Maiden.

The Origins of the Site

Miho no Matsubara is not just a scenic coastline; it is a component of the UNESCO World Heritage site listing for Mount Fuji. The 7-kilometer coastline is lined with over 30,000 pine trees, creating a striking contrast of green needles, blue ocean, and white foam.

At the heart of this grove is the Hagoromo no Matsu. It is important for visitors to note that pine trees, while long-lived, are not immortal. The tree currently worshipped at the site is the third generation. The original tree, mentioned in Edo-period texts, eventually succumbed to nature, as did its successor. The current tree, a vigorous Japanese Black Pine, was dedicated to continuing the legacy, ensuring that the physical anchor for the spiritual story remains intact for future generations.

The Legend of the Celestial Maiden

The story of the Hagoromo (Feather Mantle) is a delicate tale of interaction between the divine and the human. Variations exist across Japan, but the version at Miho is the most famous.

According to the folklore, a fisherman named Hakuryo was walking along the pine grove of Miho one spring morning. He found a magnificent robe glowing with an ethereal light and smelling of sweet perfume hanging on a pine branch—the Hagoromo no Matsu. Just as he was about to take it home as a treasure, a beautiful woman appeared. She was a Tennyo (celestial maiden).

She pleaded with Hakuryo to return the robe, explaining that without her feather mantle, she could not fly back to heaven. Initially, the fisherman refused, entranced by the object. However, seeing her profound grief and the fading of her celestial aura, his heart softened. He agreed to return the robe on one condition: she must perform a celestial dance for him.

The maiden agreed but asked for her robe first, saying she could not dance without it. Hakuryo, suspicious, replied, “If I give it back, you will fly away without dancing.” The maiden looked at him with sad eyes and delivered a line that resonates through Japanese ethics: “Deceit belongs only to the world of humans; in the heavens, there is no falsehood.”

Ashamed, Hakuryo returned the robe. The maiden donned the Hagoromo and danced the Suruga-mai, rising higher and higher above the pines and Mount Fuji until she vanished into the mist.

Impact on Modern Culture

The legend of the Hagoromo has permeated Japanese culture deeply, transitioning from oral folklore to high art. It is the subject of one of the most famous plays in Noh theater, attributed to Zeami Motokiyo. In the Noh performance, the interaction between the fisherman and the maiden represents a moment of grace and the bridge between the mundane and the sacred.

Beyond traditional theater, the site has a unique connection to France. Hélène Giuglaris, a French dancer in the early 20th century, fell in love with the Noh play Hagoromo but passed away before she could visit the site. Her dying wish was for her hair to be buried near the pine. Today, a monument stands nearby honoring her dedication, and the “Hagoromo Festival” is held every October, featuring Noh performances by firelight, celebrating this cross-cultural artistic bond.

Traveler’s Tips

Visiting the Pine Tree of Hagoromo is a peaceful day trip, ideal for those seeking a mix of nature and mythology.

  • Getting There: From JR Shimizu Station, take a bus bound for “Miho no Matsubara Iriguchi.” It is a short walk from the bus stop through the “Kami no Michi” (God’s Path), a boardwalk lined with ancient pines leading to the shrine and the coast.
  • Miho Shrine: Before heading to the beach, stop at Miho Shrine. It is intimately connected to the legend, and a piece of the alleged original Hagoromo robe is said to be preserved within its treasury (though rarely shown).
  • Best Views: To see the iconic view of the pine grove with Mount Fuji in the background, visit on a clear winter day. Summer humidity often obscures the mountain.
  • Photography: The contrast of the twisted trunk of the Hagoromo Pine against the grey sand and blue water makes for excellent photography. Respect the shimenawa (sacred rope) wrapped around the tree.

Sources & Further Reading

For those interested in the deep historical roots of this legend, the story of the Swan Maiden appears in various forms in ancient texts.

  • Omi-no-kuni Fudoki (Record of Wind and Earth of Omi Province): While the Miho version is famous, fragments of similar celestial maiden legends are found in these 8th-century gazetteers.
  • Noh Drama: Read translations of the play Hagoromo to understand the poetic dialogue that defines the modern interpretation of the myth.
  • Nihon Shoki / Kojiki: While the specific Hagoromo story is more folklore than imperial myth, these ancient chronicles establish the world of Kami and the interaction between earthly and heavenly realms that provides the context for such legends.

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