黒塚の鬼女 (Kurozuka Witch)

Unveiling the Kurozuka Witch: The Dark Tale of Adachigahara

When travelers dream of Japan, they often envision cherry blossoms, neon-lit Tokyo streets, and serene Kyoto temples. However, beneath the pristine aesthetic of the Land of the Rising Sun lies a shadowy world of folklore that is as terrifying as it is fascinating. Among the myriad of yokai (spirits) and demons, few stories are as tragic and gruesome as that of the Kurozuka Witch, also known as the Onibaba (Demon Hag) of Adachigahara.

For the cultural explorer who isn’t afraid of the dark, visiting the site of this legend in Fukushima Prefecture offers a unique glimpse into the complex morality and haunting history of Japanese storytelling.

Origins of the Demon Hag

The legend centers around a location known as Adachigahara (the Plain of Adachi) in modern-day Nihonmatsu City, Fukushima Prefecture. The term “Kurozuka” literally translates to “Black Mound,” referring to the burial mound associated with the witch.

Unlike many fleeting ghosts, the Onibaba is grounded in a specific geography and a disturbingly human origin story. The tale is believed to date back to the Nara or Heian period, a time when the separation between the human world and the spiritual realm was thought to be thin. While the specific woman, often named Iwate, was human, her transformation into a monster serves as a cautionary tale about obsession and the grotesque lengths one might go to for loyalty.

The Tragic Legend of Adachigahara

The story of the Kurozuka Witch is not a simple tale of evil, but rather a tragedy of Greek proportions. According to the most popular version of the folklore, an old woman named Iwate served in a noble house in Kyoto. The young princess in her care was struck by a mysterious, incurable illness that left her mute. After consulting various healers, Iwate was told that the only cure was the fresh liver of a pregnant woman.

Driven by unwavering loyalty to her mistress, Iwate left her own young daughter behind and traveled north, searching for a victim. She eventually settled in a bleak hut on the windy plains of Adachigahara, waiting for a traveler to pass.

Years turned into decades. Iwate grew old, her hair turning white and ragged. One cold autumn night, a young couple seeking shelter from a storm arrived at her door. The woman was heavily pregnant. Seeing her chance to finally cure the princess, the old woman waited until the husband went out to gather firewood. She attacked the pregnant woman with a kitchen knife, ripping out the unborn child and the liver.

However, upon examining the dead woman’s belongings, Iwate found a charm—an omamori—that she had left with her own daughter back in Kyoto all those years ago. In a horrific realization, she understood she had just murdered her own child and grandchild.

Overcome with grief and madness, Iwate transformed into a yokai, a flesh-eating demon who continued to haunt the plains, preying on travelers until she was eventually exorcised by a high priest.

Modern Culture and Artistic Influence

The story of the Adachigahara Onibaba has permeated Japanese culture for centuries. It remains a staple of the Japanese horror genre and traditional theater.

Noh and Kabuki Theater

The legend was immortalized in the Noh play titled Kurozuka (also known as Adachigahara). In the play, itinerant Buddhist priests encounter the woman, who appears normal at first but reveals her demonic form when they peek into her bedroom and see piles of bones. The play highlights the Buddhist themes of attachment, suffering, and redemption.

Pop Culture

In modern media, the Onibaba archetype appears frequently in anime and manga. The concept of the “old witch living in a hut” in Japanese RPGs often draws inspiration from this specific legend. The 1964 horror film Onibaba, directed by Kaneto Shindo, is a cinematic masterpiece that, while altering the story, draws heavily on the atmospheric dread of the Adachigahara legend.

Traveler’s Tips: Visiting the Witch’s Grave

For those venturing to the Tohoku region, you can visit the actual site where this legend is said to have taken place. It provides a chilling contrast to the usual tourist spots.

  • Location: Kanze-ji Temple, Nihonmatsu City, Fukushima Prefecture.
  • What to See: The temple grounds contain the “Black Mound” (Kurozuka), which is said to be the grave of the witch. Perhaps most chilling is the small museum on-site, which houses artifacts alleged to belong to the Onibaba, including the large iron pot she used to boil her victims and the very knife used in the legend.
  • Atmosphere: The area around the Adachi River is beautiful, particularly in autumn, adding a bittersweet layer to the tragedy. It is a quiet, spiritual place that demands respect.
  • Access: The temple is a short taxi ride or a 20-minute walk from JR Nihonmatsu Station.

Sources & Further Reading

To deepen your understanding of Japanese mythology and the context of the Onibaba, consider exploring the following resources:

  • The Noh Play “Kurozuka”: Available in various English translations of classic Noh theater scripts.
  • Japanese Demon Lore: The Book of Yokai by Michael Dylan Foster provides excellent context on how human spirits transform into demons.
  • Historical Texts: While the Kojiki and Nihon Shoki chronicle the creation myths and early gods of Japan, later folktale collections like the Konjaku Monogatarishui help contextualize the era in which legends like the Kurozuka Witch flourished.

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